Some of Salem's coffee shops are barely profitable. They're building the city's living room anyway.
by Jacob Espinoza
Salem is quietly building a coffee scene defined less by the pour and more by the table you get to sit at.
Ahead of Coffee Week (Aug. 1–7), I asked three Salem coffee owners what it actually takes to keep the doors open right now. The short version: the room is the whole point, and the room is exactly what's killing the margins. A drive-thru sells coffee. A sit-down café sells space, a table you can linger at, a place to meet a friend, somewhere to just be. But that space costs a fortune to keep open.
What struck me talking to these owners wasn't that the math is brutal. It's that they know the math is brutal and keep choosing the harder version anyway.
I put the coffee shop question to readers in a newsletter poll last week. Of the 96 people who voted on what matters most to them in a Salem coffee shop, the coffee itself (44%) and "the vibe — a place to sit, work, linger" (41%) came in almost dead even.That near-tie is the whole story of this piece: in Salem, when we think about coffee culture the space is the product. Speed and convenience ranked low, with just 10%.
The people I talked to for this each run a different corner of the scene. Tiffany Bulgin operates Isaac's and the Ike Box, downtown shops built on an unusual foundation: funding and programming for a youth nonprofit, which lets her talk about the money more plainly than most. Brock Bowers runs Offbeat, a no-drive-thru, no-pre-orders room he built deliberately around people rather than speed. Emma Carrasco bought Bow Tie on Lancaster about a year and a half ago and has watched her costs climb almost from day one.
For those keeping score at home, I spoke with Bulgin by phone and with Bowers and Carrasco in person the week of July 21. The reader poll ran in last week's newsletter. Quotes come from those conversations unless noted.
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okay, now back to the story…
What a regular is actually looking for
Natalia Rodriguez, who's out at Salem coffee shops about once a week, told me the first thing she looks for isn't on the menu. It's whether someone greets her when she walks in, whether they remember her order, whether the room has a little energy to it. A silent café makes her want to grab her coffee and leave; the ones she returns to are the ones where she can build a bit of a friendship over time.
As she put it, it's about the feeling the space gives you as much as it is about the coffee.
These days she's mostly visiting a shop for meetings, collaborations, business ideas, a place to sit down with people as her cookie business grows. So I asked what she'd do if coffee shops didn't exist. She paused, and said a park. That works great in summer, but Salem winters leave you with almost nowhere indoors to just sit and talk that isn't a bar.
That's the third-place gap in miniature. When the café isn't there, there often isn't a good substitute.
The money problem nobody puts on the menu
Start with the part owners don't advertise: the math is barely pencils.
Bulgin told me local brick-and-mortar coffee shops run on razor-thin margins, under 10%. Her shops feel it even more than most, since the nonprofit’s youth-training mission makes them deliberately labor-heavy and waste-heavy. She put the wage problem in concrete terms: between the dramatic rise in the cost of goods and wanting to pay staff in step with the rising cost of living, she figures she’d have to charge around $9 for a latte to make the math work.
Bulgin's shops come at this from an unusual angle. Isaac's and the Ike Box are run through a 501(c)(3) nonprofit built to help local youth, so any profit is meant to feed that program. But she told me they now have to chase far more grant funding and fundraising than they ever expected to.
Costs are climbing on every line. Emma Carrasco, who bought Bow Tie in Lancaster about a year and a half ago, gave me one concrete example: a box of flavor syrups that cost her $75 when she took over now runs about $130. That is nearly double in eighteen months. She hates passing that on, but said at the end of the day it has to go somewhere.
Why the room costs so much, and why they keep it anyway
Brock Bowers of Offbeat laid it out as a graph he used to draw back when he consulted for brands.
On one side: business and frequency, the drive-thru model, fast turnover, higher margins, people in and out.
On the other: brand and community, with slimmer margins and a focus on people.
The middle, he said, is the dead zone you can't pick.
Offbeat chose the community side on purpose, no pre-orders, no drive-thru. You get what you get when you show up, and the bet is that the space makes you feel good enough to come back.
That choice is expensive in a specific way. Bowers said his three biggest costs are labor, overhead (rent, utilities, repairs, updating the space) and cost of goods. The sit-down room is the thing generating most of that overhead, and it's the thing a drive-thru deliberately skips.
Bulgin put the same idea in human terms. She keeps a roughly decade-old New York Times article pinned in her office about what customers should understand when they camp at a coffee shop for hours to work.
Coffee shops, she said, have always been treated as the place you can nurse a black coffee and stay as long as you like, and balancing that against a full house is genuinely hard. She's careful not to police it with time limits, because that would cut against the hospitality that's the entire point.
The word everyone used was "collaborative"
I asked all three owners whether Salem's coffee scene feels competitive or collaborative.
Bulgin described it as heavily local in ownership and, more than anything, collaborative rather than competitive. Owners don't hesitate to call each other for a favor, an opinion, or support.
Carrasco's answer was immediate: she said she thinks it's collaborative. The first person she told about opening Bow Tie was another shop owner she admired, and she said they've continued to support her since.
Bowers went furthest, because his version comes with receipts. He estimates he pays Archive around $15,000 a year for cold brew, a competitor supplying his single biggest product cost. And when a customer orders a cortado at Offbeat, which is built around cold coffee, he'll openly send them to Prismatic or Archive because they'll do it better.
He told me that across trips to Florida and Texas to study coffee, he hasn't found the same holistic, non-competitive vibe he sees in Salem, where you can get a good cup within a one-to-two-minute drive of the last one, and everyone's still rooting for each other.
That collaboration is about to be on public display. For Coffee Week, the shops are coordinating rather than competing: Bowers, Brent from Bonsai, and Kyle from Prismatic built an "Oregon road trip" of drinks representing three regions, a wine-reduction shaken cappuccino for the Willamette Valley, a vanilla cold brew with juniper cold foam for the high desert, and a sea-salted iced caramel latte for the coast. Meanwhile Bulgin's Isaac's is doing a marionberry drink, Brent's making an upside-down pineapple cake instead of a drink at all, and Prismatic is doing a marionberry slushie.
What the owners wish you knew
Two things came up unprompted that are worth passing along.
First, from Bowers: the biggest misconception is that coffee owners are getting rich. He said people see a full parking lot and a $6 drink and assume he's driving a Porsche, when in reality he and his business partner sometimes take home less than their own managers because the owners aren't in the tip pool.
Second, from Bulgin, a gentle ask on behalf of the whole trade: she wants people to understand that the constant requests coffee shops field — for donations, specials, freebies — land very differently than they did a decade ago, because the margin that used to absorb them is largely gone. The shops still say yes to a lot of it. It just costs more than it looks like it does.
Why it matters
Salem doesn't have many third spaces left. As I talked through this with Bulgin, we kept circling the same point: outside of a bar, there aren't many places to simply gather. She said coffee shops have become crucial for exactly that.
And there's a real business shift underneath the sentiment, according to Bowers. He argues Salem is in a coffee "renaissance" built around the third-space idea, a deliberate turn away from the Starbucks direction of order-ahead, grab-and-go, "we don't really want you to stay." His own realization, he said, was that customers already know his shop sells coffee. What they actually want to hear about is the book club, the record collection, the events. The reasons to show up and stay.
Bulgin said a coffee shop lets her watch a true cross-section of life happen: business meetings, reunions, proposals, first dates. Getting to see that much connection in one room is, in her words, an honor.

